Structure Classics: Forner Bigatti Home Workshop / Alejo Martínez
The Forner-Bigatti home workshop, designed by the architect Alejo Martinez in 1937, combines the residence and workspaces of the painter Raquel Forner and the sculptor Alfredo Bigatti, two famend Argentine artists. It’s situated within the San Telmo neighborhood of Buenos Aires, on a small plot dealing with what’s now known as Plaza Coronel Dorrego, at 443 Bethlem Road.
The plot on which the work is situated is of a small floor space, measuring solely 176 sq. meters with a depth of 16.58 meters and a frontage of 10.38 meters. Of this complete, the realm allotted for the home workshop occupies 140 sq. meters, and the remaining 36 meters have been designated for the design of a small backyard.
On the time when this home workshop was designed, buildings characterised by combining artists’ residences with their respective studios and workspaces have been fairly widespread. Throughout those self same years in Buenos Aires, the Suipacha and Paraguay ateliers have been conceived and designed by Antonio Bonet, Vera Barros, and López Chas. Setting itself other than different circumstances, the Forner-Bigatti home has the particularity of mixing impartial studios belonging to 2 artists specializing in several fields (a painter and a sculptor). As a substitute of constituting a single undifferentiated spatial unit the place the dwelling space and workspaces mix with out distinctions, this system was addressed by a compact flooring plan through which personal dwelling areas are radically differentiated from these devoted to creative actions.
The necessity to tackle a program consisting of two workshops and a home on a small plot resulted in a zoned group, with two flooring having a comparatively analogous distribution. On each ranges, the extra public areas are situated in the direction of the entrance: the 2 workshops, open in the direction of the sq. and oriented to the south, capturing optimum gentle for creative actions. In direction of the rear on the bottom flooring, the personal areas of the gallery, providers, and the backyard are located. Following the identical logic on the higher flooring, the bed room and a small terrace are accommodated.
Because the workshops are organized one above the opposite alongside the vertical axis, it was determined to create a void of three.90 by 4.50 meters to hyperlink them. This double top visually and acoustically connects the 2 areas, permitting each artists to speak with one another with out shedding the independence of their workspaces. Moreover, this huge void responds to practical issues associated to the exercise carried out by Alfredo Bigatti, offering him with the required top to create massive sculptures. On this mission, along with the connecting double top, numerous theoretical postulates attribute of the interval may be noticed, such because the compactness of the flooring, the absence of areas with out a particular operate, the dearth of decorative parts, the purity of the junctions, the valorization of planes as expressive parts, the asymmetry of flooring and facades, spatial continuity, cubist composition, and the abstraction of your entire ensemble.
Presently, the Home Workshop serves because the headquarters of the Forner-Bigatti Basis. This non-profit establishment goals to ‘promote, stimulate, collaborate, intervene in every kind of initiatives of an academic, mental, creative, scientific, and philanthropic nature and encourage research aimed toward offering a greater understanding of the work of Raquel Forner and Alfredo Bigatti, in addition to nationwide visible arts.’ The inspiration organizes numerous public actions, together with programs, conferences, guided excursions, seminars, and exhibitions. Moreover, it homes a specialised library and a documentation middle, accessible to these focused on researching Argentine artwork.
The mission of the Board of Administrators of the muse is to meet the mandates of Raquel Forner, who, with nice concern relating to the destiny of her and her husband’s works after her dying, selected to create the Basis in 1982. The imaginative and prescient was to remodel the home the place she lived along with her husband right into a museum home to proceed housing the works of each artists.
To study extra about the home, the artists, and the actions organized by the muse, go to their web site by the next hyperlink.
- Web site of the Forner-Bigatti Basis consulted on November 1, 2019.
- Giménez, Carlos Gustavo, and Navarro, Ángel Miguel: “La casa taller Forner Bigatti” (The Forner-Bigatti Home Workshop), Summa+, No. 84, December 2006, Buenos Aires, pp. 78-85.
- Liernur, Jorge Francisco: “Arquitectura en la Argentina del siglo XX, La construcción de la modernidad” (Structure in Twentieth-century Argentina, The Building of Modernity), Fondo Nacional de las Artes, 2001, Buenos Aires.