Dissolving Boundaries Between Artwork and Structure: Exploring the Works of Diogo Aguiar Studio
There are quite a few intersections between artwork and structure, together with aesthetic enjoyment, formal component composition, the connection with the atmosphere, and abstraction. The distinctive combos of those points distinguish every structure workplace or artist of their follow and language. Diogo Aguiar Studio is an structure workplace that actively explores these intersections, pushing the boundaries that historically separate artwork from structure.
Every undertaking is constructed on the dynamic interplay between structure and artwork, serving as its basis and driving drive. This method yields work that addresses useful necessities and ventures into uncharted territories of spatial analysis. Notably, supplies exploration and sensory points in each architectural and immersive creative areas stand out as a big points of their endeavors.
Established in 2016 by Diogo Aguiar, who was beforehand a co-founder of LIKEarchitects and shared a eager curiosity in frightening and exploring structure, the studio operates with a compact workforce consisting of Daniel Mudrák, Adalgisa de Castro Lopes, João Teixeira, Claudia Ricciuti, Marta Bednarczyk, Aiala Bastero Acha, Mario Basurko Rico, and Mia Martina Pei. Regardless of its small measurement, the studio demonstrates the identical competence and high quality in conceiving tasks of considerable scale. Diogo Aguiar Studio often collaborates with different places of work, enhancing the richness of their follow. This alternate of repertoires and strategies expands the collective expertise of these concerned, echoing the fixed interaction between the realms of artwork and structure that shapes the studio’s work.
“Abstraction” is the phrase that seems to bridge the 2 fields as a result of its multifaceted meanings. This idea is often emphasised in undertaking defenses and featured on the workplace’s web site. The abstraction of varieties and references heightens geometry as a foundational component whereas permitting for various interpretations and associations for the observer. For example, the Begin set up is rooted within the division of an icosahedron, subtly instructed to passersby. Though the construction is constructed utilizing cruciform steel modules, impressed by Mies van der Rohe, its total look evokes ideas of Mark di Suvero’s brushstroke sculptures.
The reference to artwork turns into extra pronounced in non permanent installations, monuments, and small-scale tasks. Nevertheless, these situations function a transparent illustration of the workplace’s speculative method to the areas the place the works are positioned. Furthermore, they contribute to a lineage of references that permeate components in each undertaking, no matter whether or not the undertaking is small and simple or giant and complex by way of space and program.
The tasks’ smaller measurement and non permanent nature provide an area for thorough exploration and experimentation with supplies and varieties. The continued, but by no means repetitive, exhibition design tasks play a vital position as workouts in creating and redefining house and the supplies that form it. This method essentially expands the standard notion of “fastened” structure. Furthermore, the emphasis on smaller or non permanent tasks has set the workplace aside, leading to its acknowledgment as one of many Finest Structure Practices of 2023.
The seamless transition from conceptualization to sensible realization is a notable function of tasks undertaken by Diogo Aguiar Studio. The big selection of formal kinds, complemented by a various coloration palette and vary of supplies, affords an equally assorted architectural expertise for these near the works. Using elementary architectural rules comparable to gentle and shadow, closure, and openness, the studio constantly produces distinctive areas and sensations with every undertaking. This method aligns with the studio’s architectural philosophy, emphasizing spatial investigation.
The tasks actively discover and study materials and sensory points of house at each juncture, which leads to a various portfolio of options and environments that talk a number of meanings. The intention stays the identical: the investigation of house, and from it, the points via which this investigation takes place unfold. Spatial immersion – which already implies the thought of structure – can mobilize occupants via archetypes, architectural quotations, or re-signification of recognized supplies or objects, like a ready-made by Marcel Duchamp.
Diogo Aguiar Studio’s present and contemporary efficiency has earned it an inventory of nominations in European awards since its inception, with victories on the Leonardo Award (2019), the VIII Minsk Worldwide Biennale of Younger Architects, and the Europe 40 Underneath 40 (2019), from the European Middle for Structure Artwork Design and City Research. The ambivalence between fastened and non permanent, small and huge scale, structure and artwork prevents a inflexible definition of the studio’s manufacturing, and maybe that’s the reason its works are so formally wealthy and so completely different from one another.