Circusplanet / Plano architecten
Textual content description offered by the architects. All of it started with an invite from artist Elly Van Eeghem, at a time when there was no point out of an architectural competitors for the church. The venture began with a participatory exploration of Malem, a backyard metropolis close to Ghent. On the time Malem was reworking on account of vacant areas. Elly sought architectural enter for a creative venture envisioning the longer term metropolis. Plano architecten engaged in a year-long participatory course of, co-creating public area and gaining a deep understanding of the neighborhood.
On the finish of the venture, Malem’s church was offered to Circusplanet, prompting a design competitors. Plano architecten, armed with their contextual information, gained the competitors with a participatory method. The church had a elementary function in necessary moments within the lives of the locals. They aimed to respect this delicate matter whereas, on the similar time, attempting to know the neighborhood’s wants. Along with the formal context, the human context can be essential on this venture.
On this case, Circusplanet, as the tip person, was challenged and inspired by the design workforce to transcend being simply an open church incorporating their circus college. This name was gladly answered. Collectively they delved into the world of circus via in depth analysis and visits to present circus faculties in Bristol and Paris.
A strong constructing like a church is mechanically an introverted constructing. So, one of many first interventions was to completely open the heavy oak gate on the entrance. This was doable by inserting a glass door two meters deeper into the doorway of the constructing, elevating curiosity and alluring individuals to enter. One other preliminary intervention concerned opening the lobby to the adjoining college.
Church buildings inherently have a sure aura, and the aesthetics of such buildings are extremely valued. Subsequently, the aim was to protect as a lot of Malem’s church as doable and improve its distinctive facets. The requested program was realized with small, reversible interventions.
The massive open corridor, the place they will observe and carry out, is designed to be very useful and versatile. With the polished concrete flooring and metal rig construction, the corridor serves as a impartial canvas for performances, enlivened by theatrical parts. The rig construction blends seamlessly with the traces of the ceiling and is used to connect technical parts wanted for performances. The addition of partitions for separate altering rooms and a glass wall for thermal and acoustic separation exemplifies the meticulous design decisions.
The reception space is acutely aware of human scale and makes it really feel very nice. The designer noticed prospects in a flexible use of Malem’s church, ensuing within the lobby serving as a cafeteria for the neighborhood when there aren’t any performances. The workplaces are situated within the prolonged choir, providing a safe setting and a distinct perspective of the church.
The venture’s success led to the church’s integration with the neighboring college, additionally outsourced via an architectural competitors, gained by NERO Architects. This collaboration breathed new life into the neighborhood, emphasizing the architects’ dedication to the social context.